Pedro Pablo Hoz Domínguez (Málaga, 2000) creates paintings that are not meant to be understood intellectually, but rather felt on a deeper, more perceptive level. Each of his works seems to emerge from a space of invocation rather than construction, as if responding to an inner rhythm that predates language.
His pictorial gesture, free from planning, is driven by intuition and allows forms to reveal themselves through the process: fragmented figures, improbable anatomies, liquid architectures, and signs that elude narrative interpretation.
