I see polaroids as quick moments rather than photographs.
There’s no intention behind them, no real plan — I just shoot when something feels right.
I often play with the process — opening the camera to let light in, blocking parts of the image or doing double exposures.
Most of them are imperfect, sometimes overexposed or just off, but that’s part of it.
I’m not trying to capture anything important.
It’s more about the moment, the light, and whatever happens in between.
