The final element of most license agreements is a liability section, which defines the extent to which the licensor and licensee are each responsible for the use of the material. In most cases, the sequence provider or other licensee will confirm that, unless otherwise specified in the Agreement, it has all necessary rights to distribute the Material. This section also describes the responsibilities of content creators to obtain any other rights – such as. B music rights – which can be associated with licensed sequences. 1.2 Sublicense. Licensee may only sublicense the rights granted to it under this Agreement if Licensee subcontracts any aspect of the production, editing or distribution of the Final Product to an affiliate or to a third party, organization or legal entity, and only for as long as such affiliate, physical, organization or legal entity is subject to a legally enforceable agreement with licensee; that protects the Images at least as much as this Agreement (each, a “Sublicensee”). Licensee shall be liable for the actions of all such sublicensees, including, but not limited to, failure to comply with Section 2 (Restrictions on Use) or any other provision or condition of this Agreement. Unless it`s private studies and for non-commercial purposes (or other exceptions), the law states that you`ll always need the copyright owner`s permission first for content they didn`t create themselves but want to use/share. Some services even protect their visual work with copyrighted watermarks, such as.B. archive footage providers Shutterstock, Getty Images, and 123RF. This is in contrast to rights-managed licenses, where the price of a license is based on how the content is used.
Rights-managed licenses typically come with various usage restrictions, including duration, regions, image size, etc. (f) If Licensee`s direct end customer wishes to grant an additional license to a second-tier end product, an additional license is required and fees may apply. Others may use a third-party platform to manage their content – and license it on their behalf. Reuters, for example, relies on Screenocean, a subsidiary of Imagen, to license its extensive news archive to a selected collection of broadcasters, while Viral Video UK provides individuals with a fully managed service so that they can license their personal videos to third parties interested in their content. As proposed, licensee agrees to pay the Rightholder a minimum turnover (usually in advance) on the basis of the Basic License Agreement and to pay additional fees if the Content is above average. VIDEO CLIP LICENSE AGREEMENT This video clip license agreement (the agreement) is entered into and is effective [DATE] CONSIDERING that the owner is the copyright owner in certain film recordings identified herein and that the licensee is the creator and owner of a particular website on the World Wide Web who wishes to incorporate the owner`s video clips into that website. A license agreement generally specifies the following: 1.3 The buyer is different from the licensee. If Buyer licenses the rights to use the Images on behalf of a Licensee, Buyer hereby represents and warrants that: (i) Buyer is authorized to act as an agent on behalf of Licensee and has full authority and authority to bind Licensee to this Agreement; and (ii) if Licensee subsequently challenges such authority or authority, Buyer shall be liable for any failure by Licensee to comply with the terms of this Agreement.
Nothing in this Section 1.3 releases Buyer from any obligation to pay the License Fee to FILMPAC. “Royalty-free” means a licensing method in which the rights to use the content or intellectual property are sold on a lump sum basis for almost all purposes. The total cost of the material license – including one-time or research-related technical costs – will be specified in the agreement as well as the terms of delivery of the material. Commercial suppliers also usually indicate how the price was calculated and whether they charge a minimum term or license fee to set their final price. License agreements are used for everything from copyrighted archival material, informational material, rights-managed sequences – sequences for which a third party holds the rights – to complete works. Most commercial film vendors, broadcasters, and institutional film libraries use their own licensing agreements when licensing footage to content creators, unless they have other agreements with a production. This is more common among high-volume buyers, but it`s not always accepted by sequence providers. .